Theatre in its entirety is based off of voice , or lack
there of . Each moment on a stage in which a person is NOT talking is symbolic
in one way or another , yet from a writiers perspective, the voice is crucial.
When creating theatre , through collaborative efforts, like our class plays,
vocalising ideas and visions collectively were what made it proper in its
entierity . the suicide scene is simply nothing but "words" and yet
it makes people cry. From there i can go into how my main struggle for the first
portion was the fact that i couldnt articulate my ideas, i couldnt formulate
words for what i wanted.
Acting: Tone of Voice
·
Suicide Scene, actors can only respond to tone
of voice.
§
Suicide scene photo
·
Closing lines from CARNIval “and let me speak to
the yet unknowing world”
·
The Lovely Bones, rain scene with daughter and
mother (book)
·
Recreating my voice in suicide scene, making
Roberta my own.
o
Rehearsals, used word for word script, and on
first night of run I stuck to script. Once we made the changes to the script,
it turned into adlibbing through my own voice, allowing it to fit better coming
from me. As a result, Roberta was received differently and better by the
audience. It became more “real” once I had my own phrasing and tone of voice as
opposed to sticking to the script.
·
Stanislavski’s method acting
o
bringing your own voice to the stage, having
your voice influencing characters voice (acting vs. being)
·
Music
o
Different tones and voices for different types
of music and different scenes
§
Alexa singing the musicals in ANATOME vs. Me
singing the blues in CARNIval, each voice was fitting for the cause
·
Insect: a voice with no face
Writing: Creating Voices for Others
·
Creation of Doc, a character created through the
voices of others
o
Shakespeare, alice in wonderland,
o
Creating my own perspective through the initial
eyes of others
§
PHOTO OF HAYLZ
·
ANATOME, writing for ourselves rather than a created
character, such as Maggie
o
process of character sketch with Joel, how once
the back story was created, Maggie’s voice had become my own
·
Recreating my voice in suicide scene, making
Roberta my own.
o
Connected to acting voice
Creating: Finding your Voice
·
CARNIval vs. ANATOME, planning process and
finding my own voice (articulating ideas)
o
Not marrying your ideas
o
Getting your point across
o
Finding different ways to sort your ideas rather
than explaining them
o
Improved communication
·
Collaborative efforts (class plays) vs.
individual efforts (directing project: atmospheres and PPP)
o
CARNIval and ANATOME were both created through
multiple opinions and mindsets
o
Pheonix became this huge production created by
one mind, but once the project was over
·
Voicing societal taboos, such as molestation,
suicide, cannibalism as means of survival,
o
Process of contemplating being offensive vs.
challenging perspectives.
o
Giving the silent a voice on a stage (Theatre of
the Oppressed, Agusto Boal)
§
Creating Maggie : “I created my own hell by
keeping the secrets I couldn’t dare to confess”
·
1st person, but a spectators perspective
Absence of Voice
·
Tosca Café vs. ANATOME, suicide scene
o
no words in Tosca Café left the development
resting twice as strong on body language and facial expression vs the use of
100% dialogue in the suicide scene
§
Frank Capra’s perspective on the introduction
and importance of dialogue into theatre and film
·
Installation, Bali: was the creation of a
woman’s society
o
The basis of the society was the silence, and
the lack of speech created and enhanced the atmosphere
·
Entirety vs. moments
o
Tosca Café vs. the ending of CARNIval with
Caroline on the hook, AFTER she stops screaming for help.
§
The silence of her accepting her fate in that
moment spoke so loudly that words would’ve made it less powerful
§
Tosca Café had to use music to make up for the
emotions that couldn’t be expressed in words due to the nature of the play
Breathe by Samuel Beckett
·
“the silence is more important than the note
itself” The eighth note
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